objectier

Month

June 2013

15 posts

Jun 18, 20132 notes
#occupygezi #architecture #technical drawing #speaker's point
“

Demonstrations are one of the few ways that police power is overcome, especially when they become too large and too mobile to be contained by police power, and when they have the resources to regenerate themselves. Perhaps these are anarchist moments or anarchist passages, when the legitimacy of a regime is called into question, but when no new regime has yet come to take its place. This time of the interval is the time of the popular will, not a single will, not a unitary will, but one that is characterized by an alliance with the performative power to lay claim to the public in a way that is not yet codified into law, and that can never be fully codified into law. How do we understand this acting together that opens up time and space outside and against the temporality and established architecture of the regime, one that lays claim to materiality, leans into its supports, draws from its supports, in order to rework their functions? Such an action reconfigures what will be public, and what will be the space of politics.

…

[P]olitical claims are made by bodies as they appear and act, as they refuse and as they persist under conditions in which that fact alone is taken to be an act of delegitimation of the state. It is not that bodies are simply mute life-forces that counter existing modalities of power. Rather, they are themselves modalities of power, embodied interpretations, engaging in allied action. On the one hand, these bodies are productive and performative. On the other hand, they can only persist and act when they are supported, by environments, by nutrition, by work, by modes of sociality and belonging. And when these supports fall away, they are mobilized in another way, seizing upon the supports that exist in order to make a claim that there can be no embodied life without social and institutional support, without ongoing employment, without networks of interdependency and care. They struggle not only for the idea of social support and political enfranchisement, but their struggle takes on a social form of its own. And so, in the most ideal instances, an alliance enacts the social order it seeks to bring about, but when this happens, and it does happen, we have to be mindful of two important caveats. The first is that the alliance is not reducible to individuals, and it is not individuals who act. The second is that action in alliance happens precisely between those who participate, and this is not an ideal or empty space – it is the space of support itself – of durable and liveable material environments and of interdependency among living beings.

…

There are two aspects of the revolutionary demonstrations in Tahrir square that I would like to underscore. The first has to do with the way a certain sociability was established within the square, a division of labor that broke down gender difference, that involved rotating who would speak and who would clean the areas where people slept and ate, developing a work schedule for everyone to maintain the environment and to clean the toilets. In short, what some would call “horizontal relations” among the protestors formed easily and methodically, and quickly it seemed that relations of equality, which included an equal division of labour between the sexes, became part of the very resistance to Mubarek’s regime and its entrenched hierarchies, including the extraordinary differentials of wealth between the military and corporate sponsors of the regime, and the working people. So the social form of the resistance began to incorporate principles of equality that governed not only how and when people spoke and acted for the media and against the regime, but how people cared for their various quarters within the square, the beds on pavement, the makeshift medical stations and bathrooms, the places where people ate, and the places where people were exposed to violence from the outside. These actions were all political in the simple sense that they were breaking down a conventional distinction between public and private in order to establish relations of equality; in this sense, they were incorporating into the very social form of resistance the principles for which they were struggling on the street.

…

After all, in Cairo, it was not just that people amassed in the square: they were there; they slept there; they dispensed medicine and food, they assembled and sang, and they spoke. Can we distinguish those vocalizations from the body from those other expressions of material need and urgency? They were, after all, sleeping and eating in the public square, constructing toilets and various systems for sharing the space, and so not only refusing to be privatized – refusing to go or stay home – and not only claiming the public domain for themselves – acting in concert on conditions of equality – but also maintaining themselves as persisting bodies with needs, desires, and requirements. Arendtian and counter-Arendtian, to be sure. Since these bodies who were organizing their most basic needs in public were also petitioning the world to register what was happening there, to make its support known, and in that way to enter into revolutionary action itself. The bodies acted in concert, but they also slept in public, and in both these modalities, they were both vulnerable and demanding, giving political and spatial organization to elementary bodily needs. In this way, they formed themselves into images to be projected to all of who watched, petitioning us to receive and respond, and so to enlist media coverage that would refuse to let the event be covered over or to slip away. Sleeping on that pavement was not only a way to lay claim to the public, to contest the legitimacy of the state, but also quite clearly, a way to put the body on the line in its insistence, obduracy and precarity, overcoming the distinction between public and private for the time of revolution. In other words, it was only when those needs that are supposed to remain private came out into the day and night of the square, formed into image and discourse for the media, did it finally become possible to extend the space and time of the event with such tenacity to bring the regime down. After all, the cameras never stopped, bodies were there and here, they never stopped speaking, not even in sleep, and so could not be silenced, sequestered or denied – revolution happened because everyone refused to go home, cleaving to the pavement, acting in concert.

”
—

Lessons from Gezi Parkı for product designers 13

Excerpts from Judith Butler’s fascinating speech, the Politics of the Street, in September 2011. She discusses the material (esp. architectural) and bodily supports and limits of resistance. She underlines how the reorganisation of the material world (pavements, toilets—and bottles of anti-acid I’d add) in occupations of public squares amount to politically significant forms of social organisation. 

Add to this the fact that the protests virtually started when the police acted violently upon the tents and their inhabitants…

Jun 18, 20131 note
#occupygezi #Judith Butler #the politics of the street #materiality
Jun 18, 20132 notes
#occupygezi #anti-acid #superhero
Jun 17, 2013
#occupygezi #iconography
Jun 11, 20134 notes
#construction machinery #occupygezi #pink #colour
Jun 8, 20135 notes
#table tennis #occupygezi #diy #barricade
Jun 8, 20133 notes
#occupygezi #bus stop #appropriation #maintenance
Jun 5, 20137 notes
#library #diy #bookshelf #occupygezi
Jun 5, 20136 notes
#street vendor #mask #goggle #vendetta #occupygezi
Jun 5, 2013773 notes
#tear gas #appropriation #vase #occupygezi
Jun 5, 201370 notes
#street vendor #lemon #flag #occupygezi
Jun 5, 2013189 notes
#occupygezi #vinegar bottle #protesters #tear gas
Ankara Polis Hareketleri - Google Maps → maps.google.com

Lessons from Gezi Parkı for product designers 3

Map that shows police movements in Ankara

Jun 5, 20132 notes
#map #resistance #occupygezi #police
Jun 5, 201315 notes
#gas mask #diy #occupygezi
Jun 5, 201326 notes
#appropriation #protest #occupygezi

May 2013

12 posts

May 31, 201310 notes
#photography #tintype #portraits #david emitt adams
May 30, 201311,800 notes
#1970s #workstation #ergonomics
May 21, 20132,376 notes
May 20, 20134,082 notes
#motorbike
May 19, 2013318 notes
#creepy #toy
May 18, 20131 note
#tim hawkinson #android #emotions #robot
May 17, 2013489 notes
#mobius #object #tim hawkinson
May 16, 20132 notes
#tim hawkinson #signature #chair #automatic #robot
May 16, 20135 notes
#tools #signs
May 15, 201371 notes
#he-man #cactus #los angeles #tv
May 14, 2013417 notes
#burnt #garbage can
May 13, 20137 notes
#toy bus #photography

December 2012

6 posts

Dec 8, 2012318 notes
#bicycle #taxidermy #reagan appleton #handle bar
Dec 7, 201231 notes
#raffaello #holy sacrament #skateboard
Dec 6, 20121,559 notes
#sand castle #architecture
Dec 5, 2012210 notes
#swiss cheese #wire fence #content is relative
Dec 4, 20125 notes
#lemon #cleaning #sustainable
Dec 3, 2012790 notes
#e-reader #kitchen #comics

November 2012

7 posts

Nov 19, 2012
#nonefutbolclub #renault 15 #inside out
Nov 19, 201219 notes
#renault 5 #car #nonefutbolclub
Nov 13, 20121 note
#Turkey #70s #80s #household
Nov 4, 2012
#Wim Delvoye #tire #carving
Nov 3, 201233 notes
#teeth #shoes #fantich #young
Nov 2, 2012846 notes
#halloween #baby #costume #mecha #diy
Nov 1, 2012610 notes
#starship #print #dkng

October 2012

3 posts

Oct 31, 2012
#embodiment #techniques of the body #keyboard
Oct 31, 2012125 notes
#cabinet #model #atelier mats
Oct 2, 201219,023 notes
#fashion #rebels #subculture #hacktivism

September 2012

6 posts

Sep 29, 2012344 notes
#bartek elsner #cardboard #sculpture #tv #video #cassette
Sep 28, 2012149 notes
#yayoi kusama #accumulation
Sep 27, 2012152 notes
#citroen #ds #gabriel orozco #car
Sep 26, 20121,538 notes
#gabriele basilico #contact #chair
Sep 25, 2012172 notes
#chastity belt #retro
“Whatever you call it, once the people who lived there had disappeared, the whole look of the house changed. It was almost creepy. I had never seen a vacant house before, so I didn’t know what an ordinary vacant house looked like, but I guess I figured it would have a sad, beaten sort of look, like an abandoned dog or a cicada’s cast-off shell. The Miyawakis’ house, though, was nothing like that. It didn’t look “beaten” at all. The minute the Miyawakis left, it got this know-nothing look on its face, like, “I never heard of anybody called Miyawaki.” At least that’s how it looked to me. It was like some stupid, ungrateful dog. As soon as they were gone, it turned into this totally self-sufficient vacant house that had nothing at all to do with the Miyawaki family’s happiness. It really made me mad! I mean, the house must have been just as happy as the rest of the family when the Miyawakis were there. I’m sure it enjoyed being cleaned so nicely and taken care of, and it wouldn’t have existed at all if Mr. Miyawaki hadn’t been nice enough to build it in the first place. Don’t you agree? You just can’t trust a house.” —Haruki Murakami, The Wind-Up Bird Chronicles
Sep 23, 20121 note
#haruki murakami #house #materiality #family

August 2012

18 posts

Aug 25, 20127 notes
#nebuta #japanese #festival
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